DANIELA BECHLY

Soprano

 

Daniela Bechly made her debut with the Braunschweig Opera. Subsequent engagements have been with the Vienna Kammeroper, Krefeld-Mönchengladbach and the Deutsche Oper Berlin (four seasons) followed by a year as a guest artist at the Stadttheater Bern. Major operatic roles include Marguerite FAUST, Cherubino/Susanna LE NOZZE DI FIGARO, Sandrina LA FINTA GIARDINIERA, Ännchen DER FREISCHÜTZ, Pamina DIE ZAUBERFLÖTE, Anna DIE LUSTIGE WEIBER VON WINDSOR, Rezia L'INCONTRO IMPROVVISO, Gretel HÄNSEL UND GRETEL, Donna Elvira DON GIOVANNI, Cordelia LEAR (Reimann), Ghita DER ZWERG (Zemlinsky) and Kristina THE MAKROPULOS CASE. Further roles include Goose Girl KÖNIGSKINDER and Malvina DER VAMPYR at the Wexford Festival, Wellgunde GÖTTERDÄMMERUNG with the Royal Opera, Covent Garden, Cherubino with Deutsche Oper am Rhein, Düsseldorf and Agathe DER FREISCHÜTZ at the Zwingenburg Festival, Neckar.

 

Daniela Bechly’s recordings include Flowermaiden PARSIFAL under Daniel Barenboim for TELDEC, TELEMANN CANTATAS, SCHUBERT MASS IN B, DER KONTRABASS (Schedl) and four song cycles by Matthias Ronnefeld for DACAPO records.

 

Concert engagements include ST MATTHEW PASSION with Sir Colin Davis, LES NUITS D’ÉTÉ in Bury St Edmunds, WESENDONCK LIEDER for Lavenham Sinfonia, a tour of California with the Rheinland Pfaelz Jugendorchester performing Strauss FOUR LAST SONGS, Verdi REQUIEM and Beethoven MISSA SOLEMNIS at the Harwich Festival, Recitals for Musica Viva in Mainz, LE VIN HERBE at the Cernier Festival, Switzerland, Poulenc GLORIA for the Essex Music Festival, Mozart CONCERT ARIAS and FRAUENLIEBEN UND LEBEN and a collaboration with the Trio Kairos Hamburg on Shostakovitch Op. 127, Beethoven and Haydn. Further concert repertoire includes MESSIAH, FOUR LAST SONGS, Mahler 4^th Symphony, Haydn’s CREATION and Mozart REQUIEM. 

 

 

20/01/10da